Corneille, born Guillaume Cornelis van Beverloo on July 3, 1922, in Liège, Belgium, was a Dutch artist renowned for his vibrant and expressive works. He was a co-founder of the avant-garde CoBrA movement, an influential post-World War II European art collective that also included Karel Appel and Asger Jorn. The name CoBrA is derived from the initials of the members’ home cities: Copenhagen, Brussels, and Amsterdam.
In 1950, Corneille moved from Amsterdam to Paris, where he lived with photographer Henny Riemens until 1968. The couple, married in 1955, traveled extensively to places like North Africa, North America, the Caribbean, and South America. These travels profoundly influenced his work. From 1960, he returned to figurative art, featuring women, birds, flowers, and characters as recurring motifs.
Corneille’s work evolved significantly, maintaining a vibrant use of color and lyrical quality. He believed painting was a calling rather than a hobby or job. His later years were spent in Paris, where he worked in seclusion. Corneille passed away on September 5, 2010, in Auvers-sur-Oise, France, and was buried there alongside Vincent van Gogh. Today his work is still revered by both Dutch and International collectors, both for his strikingly intuitive compositional prowess and his art-historical signifance.
Un Oiseau traverse l'été, 1967
acrylic on canvas Signed and dated "Corneille/'67" l.r.,
titled, signed, and dated "Corneille '67" on the reverse
partial label from Lefebre Gallery, New York, affixed to the stretcher.
Frénésie, 1974
46 x 55 cm
acrylic on canvas
Signed
Couple d'Amor, 1951
42,8 x 34 cm
gouache
Signed
Sans titre, 1987
Acrylic on canvas
Chant de la Mer, de la Femme et de L' Oiseau, 1987
54 x 65 cm
Acrylic on canvas Exhibited/Provenance:
Milano, Galleria San Carlo, Corneille, 1987-1988
Femme a l arc en ciel, 1975
14 x 18 cm
acrylic on canvas
Sans titre, 1967
200 x 100 cm
oil on wood Will be exhibited at the Corneille-exhibition in the Cobra museum, Amstelveen, The Netherlands.
In the late 1970s Nico Delaive had first entered the gallery world and had invited many artists to make graphic works and editions. Corneille was one of them and Nico was in close contact with him ever since. In the following decades he would spend many hours with him together with Walasse Ting and Karel Appel, on some occasions watching them all work alongside each other in one studio at the Weteringsplantsoen in Central Amsterdam which Nico had organized.
Studio Photos
No catalogs available for this artist.
Manage Cookie Consent
We use cookies, read our
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.