Yuina Wada (Gifu, Japan 1989) is a Japanese artist who lives and works in Tokyo and has – since her graduation from the Academy of Arts in Japan – dedicated all her time to the development of her unique style of painting. Even before starting her career as an artist Wada has long been fascinated with the iconic Japanese ‘Kawaii’ culture. Kawaii is a prominent aspect of Japanese popular culture and can refer to humans, items or characters that are childlike, charming, endearing and often ‘girlish’. Beneath the ostensible cuteness of Kawaii, however, hides a darker, more eerie element as well: an element of confusion, alienation and loneliness in the chaos of the world, which especially young children can often deeply experience.
All these aspects are fully explored in the work of Wada who creates vibrant and dynamic scenes, often with cute yet mutant young girls and monstrous creatures that form the central figures in her dreamlike or nightmarish world. Wada also takes inspiration from the Japanese Maga and Anime styles and from the world-famous Harajuku-fashion which is known for (mainly) girls dressed in unconventional bright clothing.
Wada is only in her early thirties, but she is well aware of her physical aging, which has only increased her fascination and perhaps longing for the youthfulness, childishness and femininity of the figures that she paints. Her paintings radiate with color and light, emphasized especially using glued-on glimmering stones.
Yuina Wada has been represented by Gallery Delaive ever since Nico Delaive met her at Geisai #12 where she later would win the Shin Suzuki Price at Geisai#17. Nico was instantly struck by Wada’s meticulous brushwork and uniquely colorful compositions. Her works are the result of her extensive and rigorous painting practice, which consist of slowly and minutely adding layer and layer of paint to build up her canvasses. Delaive continues to show Yuina Wada’s work to the world with recent examples being her the exhibition Reflective Eyes at Gallery Delaive or her work in the booth at KIAF Seoul. In collaboration with Gallery Delaive Yuina Wada also ventured into the realm of NFT’s in 2022.
Gallery Delaive is delighted to present “Falling”, the first NFT collection by Yuina Wada. It consists out of 89 unique drawings minted with the ERC721 smart contract on the etherhum blockchain. All the NFTs together make a moving video (GIF) with the last layer connecting to the first so you can see the circulation eternally. Yuina Wada: “The style of animation ‘GIF’ is ‘old-fashioned’ on the internet. I like that because it is so ‘minimalistic’.
I’m so inspired by SUPER FLAT by Takashi Murakami because I’m a Japanese painter. Murakami loves a legendary animator Yoshinori Kanada.
His animation drawn by hand is also ‘old-fashioned’ in Japanese animation. My making animation is just beginning. This time I tried to draw a human moving (with long hair and a dress) and water flowing. The meaning of the story is an allegory of life. You know that a falling makes a jump, right? Falling and jumping are also ‘minimalistic’ of life. That is beautiful. :)”
Yuina Wada, born in 1989 in Gifu, Japan, is a talented artist who graduated from Nagoya University of the Arts. Her artistic journey gained momentum when she was awarded the prestigious Shin Suzuki Prize at GEISAI#17. It was during this event that Gallery Delaive first encountered her work, sparking a collaboration that has flourished for over a decade. For the past ten years, Gallery Delaive has proudly represented Yuina Wada, showcasing her original artworks at our gallery located on Spiegelgracht 23 in Amsterdam. We invite you to explore our website to view the available artworks by Yuina Wada. If you are interested in purchasing an original piece, please don’t hesitate to contact the gallery. Yuina Wada: “I loved drawing and painting from childhood. I came to love bright colors and shiny materials from about 14 years old. I have been studying the way to paint and work with them. And I think about the world of mind. I want to paint about that.”