Constant (Constant Anton Nieuwenhuys), (1920-2005) initially gained prominence as a painter and became a leading figure in the Dutch Experimental Group, alongside Corneille and Karel Appel. He was celebrated for his theoretical insights and active political engagement within the group. In 1946, while in Paris, Constant formed a significant friendship with Danish artist Asger Jorn. Together, they challenged the notion of purely abstract art, leading to the establishment of the CoBrA group (Copenhagen, Brussels, Amsterdam) in 1948, aimed at fostering international experimental art.
CoBrA emphasized collective creativity, experimentation, and a rejection of conventional artistic norms. It drew inspiration from diverse sources such as animals, primitive art, myths, and the art of children and the mentally ill. Despite disbanding after notable exhibitions in Amsterdam (1949) and Liège (1951), CoBrA’s influence endured, prompting Constant to explore new artistic and ideological frontiers.
Around 1952, Constant shifted focus from painting to developing radical theories about society and art. His travels to London and Paris inspired him to collaborate with Jorn on the ‘Mouvement pour une Bauhaus imaginiste’, advocating for innovative architectural and social concepts. This culminated in his visionary project, New Babylon, conceived between 1956 and 1969. New Babylon envisioned a futuristic city where creativity and freedom would flourish, challenging traditional societal structures.
Constant’s critical stance towards society and culture continued to shape his artistic evolution. His later works, including paintings and watercolors, exhibited a departure from earlier themes, embracing softer colors and drawing influences from masters like Rubens, Titian, and Cézanne, albeit through his experimental lens.
Nico Delaive first met the artist Constant in 1979 at his home on the Kromme Waal in the Netherlands, which marked the beginning of a lasting collaboration. Their first conversation led to a creative venture in Italy, where Constant spent two months, drawing inspiration for works such as L’Ultima Cena. Delaive played an important part in producing graphic works and etchings, including the renowned Plaisir et Tristesse de l’Amour.
Over the years, they worked together on exhibitions, catalogs, and the sale of Constant’s works. Their friendship was built on mutual respect and a shared passion for art. Delaive not only bought and sold Constant’s works but also cherished the personal memories of their time together, including the creation of iconic watercolors and sculptures.
Delaive proudly continues to share the story of Constant and his works. He fondly recalls the last time he spoke with Constant, just a few months before his death. “He never mentioned that he was sick,” says Delaive. “But he did tell me that everything was arranged. Then Corneille called to inform me of his passing.”
