Sam Francis & Friends – Ting - Appel - Alechinsky
MUSEUM JAN VAN DER TOGT CELEBRATES 25th ANNIVERSARY
The Dutch Museum Jan van der Togt is celebrating its 25th anniversary in 2016. From 15 September 2016 until 8
January 2017, this anniversary will be celebrated on a grand scale with the exhibition ‘Sam Francis & Friends – Ting,
Appel and Alechinsky’
Assisted by Jan Verschoor,who was the museum’s director for nearly 25 years, Van der Togt built an extensive collection of paintings by Sam Francis. The exhibition shows the remarkable early works of Francis and his artist friends Walasse Ting, Karel Appel and Pierre Alechinsky, who were loved so much by the collector.
In the ‘50s, Sam Francis lived and worked in Paris. There he became friends with artists like Walasse Ting, Karel Appel and Pierre Alechinsky. Over the years these artists inspired each other in their works. Occasionally they even made works of art together. An example of this is the painting made by Ting and Alechinsky, called ‘à deux pinceaux’, which can also be seen at the exhibition.
The emphasis of the exhibition is mainly on the Paris period – the 50’s and 60’s. Exhibits include the lesser- known abstract works by Ting and the remarkable paintings by Francis that were inspired by Claude Monet’s water lilies. The exhibition also shows a poetic exchange of letters between Ting and Francis - never exhibited before - as well as the colourful costumes of the Chinese-American artist.
Art Miami 2016
Sam Francis - Untitled, 1989 Venice, Acrylic on paper, 95 x 65 cm, signed on verso.
We hope to welcome you at our booth D105
Click for more information.
Upcoming Art fairs
THE EUROPEAN FINE ART FAIR 2017
march 10 - 19, 2017
Catalogue Raisonné of Canvas and Panel Paintings, 1946–1994
Edited by Debra Burchett-Lere with featured essay by William C. Agee
This innovative and long-awaited catalogue raisonné brings together, for the first time, all the known paintings on canvas and panel of California-born abstract expressionist Sam Francis (1923–1994) and offers a comprehensive chronicle of his artistic journey. One of the twentieth century’s leading interpreters of light and color, Francis maintained studios not only in New York and Los Angeles, but also in Paris, Bern, and Tokyo, making his reach truly international.
Elegantly boxed, the Sam Francis catalogue raisonné includes a richly illustrated book with informative texts and two DVDs with authoritative entries for the canvas and panel paintings in an easily browsable, groundbreaking format. It offers the ultimate reference on this artist and a vital research tool.
Color images and documentation for all 1,850-plus paintings on canvas and panel by Francis (hundreds reproduced for the first time) on two DVDs
A lavish book with an extended essay by Francis scholar William C. Agee and a biographical timeline by catalogue raisonné editor Debra Burchett-Lere
Rare footage of Francis at work, writings by the artist, and descriptions of his studios and techniques
Access to electronic updates as they become available
Easily searchable information in a groundbreaking, twentieth-first-century format
Debra Burchett-Lere is Director and Curator of the Sam Francis Foundation. William Agee, Evelyn Kranes Kossak Professor of Art History at Hunter College, City University of New York, is coauthor of Coming of Age: American Art, 1850s to 1950s, author of Sam Francis: Paintings 1947-1990, and contributor to many books, including Patrick Henry Bruce, American Modernist: A Catalogue Raisonné.
Sam Francis: The publication of his long-awaited catalogue raissonnée provides the second-generation Abstract Expressionist with a first-rate reexamination. by Richard Speer
Buy the catalogue online.
Presentation of the Catalogue Raissoné
Abstract Expressionist Sam Francis will be the focus of a month-long selling exhibition at Sotheby’s New York this autumn. More than 40 works, all available for private sale, will be included in the exhibition Sam Francis: The Exploration of Color from 17 September through 14 October 2011. This marks the first exhibition on view in S2, a newly-constructed gallery space within our York Avenue headquarters dedicated to hosting private selling exhibitions.
“We conceived of S2 in response to frequent requests from our clients to see works at Sotheby’s for private sale as well as for auction” said Alex Rotter, Head of Sotheby’s Contemporary Art department in New York. “Designed by Richard Gluckman, S2 can show works of art ranging from large-scale installations to more intimate objects, and will offer a new and exciting dimension to the Sotheby’s experience that will help us to meet this growing demand. Richard Gluckman has created celebrated spaces for the Whitney Museum of American Art and the Philadelphia Museum of Art, in addition to Sotheby’s own 10th floor galleries, and we look forward to introducing this wonderful new space to our clients and to the general public.”
The exhibition celebrates the launch of the Sam Francis Catalogue Raisonné of Canvas and Panel Paintings, 1946-94, edited by Debra Burchett-Lere, Director of the Sam Francis Foundation, and published with University of California Press. Robert Buck, former Director of the Brooklyn Museum and the Albright-Knox Art Gallery, enthused, “The publication will become the standard reference on Francis’s work. There are no more complete efforts than this one that tackles and describes the whole career.”
The exhibition Sam Francis: The Exploration of Color brings together a diverse selection of paintings on canvas and paper that trace the artist’s career from the 1940s to the 1990s. As Debra Burchett-Lere’s essay in Sotheby’s exhibition catalogue discusses: Francis found his calling as an artist in his 20s while hospitalized with spinal tuberculosis, using art as an escape during his multi-year encasement in a plaster cast. His career was propelled to critical acclaim in the 1950s, after moving to Paris and being embraced by the important art historians and curators of the day. His interests in architecture, literature, philosophy, poetry, politics, music, nature and science are all reflected in his works, from the smallest 3x2-inch paintings to monumentally scaled murals more than 100 times as large. While his painterly, expressionistic world appears uncalculated in its freeform presentation, Francis was guided by his intelligence, masterly control of the brush, and gut-felt intuition in capturing the beauty of human emotion.